Search: Starring JK Simmons

Clarke puts a lot of trust in his actors, allowing room for personalities to emerge naturally.

The action sequences are alright, but The Accountant falls into the common superheroic trap (or trope) of confusing origin stories with character development.

This is a tale told with unusual sensitivity and skill.

Not only does she get the tone of Ball right, Kidman also captures the comedy star's forthright energy, an essential fearlessness and truthfulness about herself that Sorkin also evidently admires.

A surprisingly engaging mystery thriller, anchored by convincing performances and a confident build-up of suspense.

Costner is running on empty.

What is billed as Lovecraftian horror certainly fits into that mould on one level, but it is perhaps more like what one might have expected had old HP taken to writing sitcoms.

Imagine all the Terrible/Awesome Clichés That Could Happen In The American Wilderness and construct a mental bingo card to tick them off. Spoiler warning: There's a good chance you're going to get a full house.

Hidalgo is Cliche City's nominee for the Been There award.

Bruce is always one step ahead, which keeps tension levels low.

This is definitely among the spookier animated Christmas tales out there, and it's liable to give more sensitive little ones some serious chills.

The ingredients may look to be all there but Reitman's effort feels too full of studio additives and overcooked.

The script excels.

A simple story brought to life by capable, sensitive performances.

Gore Verbinski treats the whole thing as a romp.

Palm Springs is appealingly playful and deceptively smart.

Richard Lewis and Steven Parker’s excellent sound design...really brings the races to life and cinema viewers will feel the thrum of the engines in their bodies as they watch cartoon cars sprint across the screen.

A great way to while away 90 minutes.

The effects are eye-popping and the look of the film is exquisite.

Whooshing between buildings at high speed over and over again feels like an overdose of Ritalin. The three-way baddie climax is nauseating, unexciting and full of contrivances.

The film is saved by one of Schwarzenegger's strongest performances to date.

The debuting Reitman handles the film with inventive style and confident assurance.

A quick script and sharp performances all round help deliver an enjoyable, if ultimately sentimental commentary of the times.

The film takes on a masterful intesity as mental health as well as music begins to be at stake.